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Contemporary attacks bring renewed attention to the factors that drive individuals toward violence. While many media representations condense and dramatize these dynamics, the film Mit der Faust in die Welt schlagen (engl. Punching the World) resists such narrative intensification. Instead, the storyline relies on episodic observations of daily life. Constanze Klaue’s film is a poignant portrayal of two brothers, Philipp and Tobi, growing up in Eastern Germany in the early 2000s. Set in a post-socialist region still adjusting to a new economic and political order, the story captures the lingering effects of systemic transition on everyday life. Many facets have been undergoing visible change – abandoned factory buildings, new teaching approaches and ways of living among others. The Zschornack family, too, tries to build a new home, leaving behind their old apartment block. The construction work on the house becomes a symbol for a promise of progress that slowly collapses. The parents grow increasingly absent, both physically and emotionally exhausted by long working hours or defeated by unemployment. Growing up in this collapsing family structure, Philipp and Tobi find their attempts to stabilize the situation at home futile. With few outlets for support or distraction, the appeal of a local neo-Nazi group begins to fill the void. Although the brothers share the same environment, they follow different paths of radicalization. On closer examination, the divergent trajectories of Tobi and Philipp can be attributed to their distinct developmental stages and the role of social bonds.
Following an incident of right-wing vandalism at school, Philipp connects with a school mate linked to the neo-Nazi group, promising adventures. At first this includes late nights out, drinking, roaming the streets and smashing things – “punching the world”. Philipp experiences a newfound sense of purpose and belonging. However, once the violence is directed toward living beings, his hesitation grows. A pivotal moment occurs when he must kill a dog injured by their car—an act that contrasts with his caring, protective role as an older brother. As Philipp becomes more involved in the group, he spends less time with his younger brother. Meanwhile, Tobi loses other bonds that were important to him: the death of his grandfather, the breakdown of a childhood friendship, and the mysterious disappearance of the beloved neighbor’s dog. The parents are unable to support him in overcoming these ruptures. His father distances himself through alcoholism and an affair and his mother is increasingly overstrained by the burden of work and care. Left alone in his grief, Tobi’s pain transforms into anger. It is right then when his chance for escape appears. The group’s leader invites Tobi to join their forays. He eagerly accepts, not only for a sense of adventure, but in hope of reconnecting with his brother. However, Philipp finds his way out just when Tobi is getting involved.
Taking a developmental psychological perspective, it is likely that the neo-Nazi group serves different functions for the brothers possibly explaining the different radicalization pathways. While Philipp is in the midst of adolescence, he is in a process of distancing himself from the family not only due to their internal difficulties but also due to his developmental stage (Hazen et al., 2008). Tobi, however, is still a child whose need for secure attachments is unmet and searched for in that extremist group. Particularly the absence of strong social bonds has been identified as a contributing factor in processes of radicalization and the turn to violent extremism (Jasko et al., 2017). Besides, in becoming involved early in right-wing extremist and violent activities, his involvement is more likely to be life-time persistent (Moffitt, 2010). Philipp on the other hand, is able to improve his living conditions, move to a bigger city, own a motorcycle that allows for sporadic visits home and quickly carries him through the vast landscapes of the region. Tobi on the other hand is still stuck in old structures, as he does his training under poor conditions, with little prospect for change. His involvement culminates in the final scenes of the film when he together with the extremist group set their former school on fire that is supposed to become a home for refugees. What becomes evident are their differences likely grounding in developmental discrepancies to rely on the family bonds when the neo-Nazi group appears in their lives.
In the broader neo-Nazi group, too, the young men share common frustrations: fathers or relatives unable to find work, feelings of abandonment, and rising resentment toward migrants. Their stories show that radicalization is not just about beliefs or actions—it also has a powerful affective dimension not only toward ‘the other’, but also toward the group (Haq et al., 2020). Besides the interplay of the cognitive, behavioral and affective dimensions to radicalization, the movie accomplishes to underscore that radicalization is not linear but rather a dynamic and multifactorial process (McCauley & Moskalenko, 2017). Certain radicalization pathways — such as radicalization without violence, into violence, or within violence — are the result of a complex combination of different dynamics (Jensen et al., 2020; Knight et al., 2017). This involves not only considering factors such as strong social bonds but also recognizing how these interact with developmental processes across the lifespan. Doing so allows for a more nuanced understanding of radicalization processes during childhood, adolescence, and adulthood.
In sum, Punching the World is the story of two brothers exposed to the same conditions but diverging in their response to loss, stagnation, and emotional neglect. It is also a story about growing up in post-socialist Germany, where adapting to individualist norms, rising competition, and neoliberal ideals clashes with the erosion of previous forms of solidarity. The children witness their parents’ decline under mounting pressures, while faced with their own developmental challenges. Radicalization in each case fills a vacuum. While for Philipp it goes hand in hand with the adolescent urge for adventure and distance from the family, Tobi seeks stable attachments and ways to process his rage and disorientation thereby becoming more deeply and persistently involved.
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